 'Travolta's Ryder is not your average villain. He’s that modern type: the  brainy sicko, an all controlling puppeteer who uses his vast knowledge and power to manipulate others into jumping through a series of ever more difficult hoops.   Frequently, he calls out of the blue, using the public payphone system to pose a series of bizarre riddles to the hero. It normally ends with a mad race across town in the middle of rush hour. Cultural critics are in disagreement over the precise roots of this phenomenon —  the plunging Dow, the rising tide of alienation and anomie in today’s cities —  but agree that it allows audiences a good working knowledge of what it is to go to lunch with Ari Emanuel.' — From my piece for the Daily Beast about OCD villains
'Travolta's Ryder is not your average villain. He’s that modern type: the  brainy sicko, an all controlling puppeteer who uses his vast knowledge and power to manipulate others into jumping through a series of ever more difficult hoops.   Frequently, he calls out of the blue, using the public payphone system to pose a series of bizarre riddles to the hero. It normally ends with a mad race across town in the middle of rush hour. Cultural critics are in disagreement over the precise roots of this phenomenon —  the plunging Dow, the rising tide of alienation and anomie in today’s cities —  but agree that it allows audiences a good working knowledge of what it is to go to lunch with Ari Emanuel.' — From my piece for the Daily Beast about OCD villains 
Jumat, 12 Juni 2009
Jive talking
 'Travolta's Ryder is not your average villain. He’s that modern type: the  brainy sicko, an all controlling puppeteer who uses his vast knowledge and power to manipulate others into jumping through a series of ever more difficult hoops.   Frequently, he calls out of the blue, using the public payphone system to pose a series of bizarre riddles to the hero. It normally ends with a mad race across town in the middle of rush hour. Cultural critics are in disagreement over the precise roots of this phenomenon —  the plunging Dow, the rising tide of alienation and anomie in today’s cities —  but agree that it allows audiences a good working knowledge of what it is to go to lunch with Ari Emanuel.' — From my piece for the Daily Beast about OCD villains
'Travolta's Ryder is not your average villain. He’s that modern type: the  brainy sicko, an all controlling puppeteer who uses his vast knowledge and power to manipulate others into jumping through a series of ever more difficult hoops.   Frequently, he calls out of the blue, using the public payphone system to pose a series of bizarre riddles to the hero. It normally ends with a mad race across town in the middle of rush hour. Cultural critics are in disagreement over the precise roots of this phenomenon —  the plunging Dow, the rising tide of alienation and anomie in today’s cities —  but agree that it allows audiences a good working knowledge of what it is to go to lunch with Ari Emanuel.' — From my piece for the Daily Beast about OCD villains 
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